Why I Wrote a Book About a Flying Lake
There is a particular kind of stillness that invites a subtle restlessness. Not the agitated kind, but a quiet, almost curious urge to shift, to expand, to simply go. It settles sometimes in the deepest moments of meditation, when the mind quiets and the body softens, and for a fleeting moment, everything feels exactly as it should be. And then, from that very ease, a gentle current arises, a desire for something else.
For many years, my own practice revolved around cultivating stillness, around learning to sit with whatever arrived. Yet, within that settling, a persistent question often surfaced: what does true freedom feel like, if not movement? If not the ability to transcend boundaries, to see new horizons? This wasn’t a rejection of stillness, but rather an exploration of its deeper currents, a quiet inquiry into the nature of being.
What if that inner current, that longing for boundless movement, had a form? What if the very ground I was invited to rest upon decided it wanted to soar? This thought, like a ripple across calm water, was the genesis of The Flying Lake.
The Unmoving Heart of Movement
The conventional understanding of freedom often places it in opposition to stillness. We imagine escape, journeying to distant lands, breaking free from perceived limitations. But what if true freedom isn’t about how far you can go, but how fully you can be, exactly where you are? This was the paradox that began to crystallize around the image of a lake.
A lake, by its very nature, is a symbol of groundedness and reflection. It holds depth, nourishes life, and mirrors the vastness of the sky from its fixed place. Its purpose seems intrinsically tied to being unmoving. Yet, in my internal landscape, this lake yearned for wings. It longed to experience the world from above, to know the exhilaration of flight, to escape the perceived monotony of its depths.
The story that began to form, The Flying Lake, wasn’t just a whimsical tale; it became a way to explore this fundamental tension. It was an externalization of an inner dialogue: the pull towards adventure and novelty versus the profound, often overlooked, power of presence. Writing it became less about constructing a plot and more about tracing a feeling. What would compel an entity defined by its groundedness to seek such radical movement? And what would it learn along the way about its own nature, about what it truly means to be free?
It turned out, the lake’s journey was less about finding a new destination and more about discovering a new way of seeing. Its flight wasn’t an escape from its true self, but a dramatic expansion of its understanding of what a lake could be. The wisdom it gained wasn’t in changing its essence, but in realizing the boundless potential already held within its depths. The sky it sought to inhabit was always already reflected in its waters.
The Practice of Storytelling
To write this book was, in many ways, an extension of the meditation practice itself. It required a similar kind of quiet attention, a willingness to sit with an idea, to watch it unfold without immediate judgment or the desire to force it into a pre-conceived shape. The initial spark was abstract—a feeling, a question—and the process of writing was the act of giving that abstraction form, giving it a voice and a journey.
The words weren’t always easy to find. There were moments of doubt, times when the ethereal nature of the concept felt too vast, too nebulous for a simple fable. But the practice was to keep showing up, to keep listening to the subtle currents of the story as they emerged, much like sitting with a difficult sensation in the body, simply observing its texture and movement. I learned to trust that the story had its own intelligence, its own trajectory.
It revealed that giving form to an internal experience—externalizing the quiet battles and profound insights we all navigate—can be a powerful act of integration. The imagination, it turns out, is a potent laboratory for understanding the self, a place where abstract feelings can become concrete lessons. By writing the journey of this lake, I watched my own understanding deepen. The lessons about freedom, about the illusion of needing to change to be free, about the value of one’s inherent nature, became clearer not just as concepts, but as felt realities. The distinction between external movement and internal spaciousness became less a philosophical idea and more a lived truth.
So perhaps, for each of us, there is a quiet lake within, sometimes content in its reflective stillness, sometimes yearning for flight. The invitation is not necessarily to clip its wings, nor to abandon its depths, but to listen closely to what that longing for movement is truly trying to reveal. It might be that freedom has always been present, vast and boundless, reflecting the entirety of the sky, right where we are.